By Ann M. Martin, ghostwritten by Ellen Miles. Published
August 1992.
Y’all, this book. I don’t even know. Is it really so much a
mystery, or a mind-fuck?
Mary Anne wakes up from a really weird dream. She’s a very
small version of herself, on a porch she doesn’t recognize, with two older
people she also doesn’t recognize, holding a kitten, calling for her Mama. Mary
Anne, that is, not the kitten. She doesn’t know what the dream means, but it
bothers her all day.
The entirety Stoneybrook Elementary is working on a really
kickass project. They’re having a Heritage Day, and every class in the school
is doing something different. Some are doing skits, some are learning songs,
one is even doing a historical Stoneybrook newspaper. Y’all, I would have been
all OVER this shit. Hell, I still would.
Charlotte’s class is doing family trees, so when Mary Anne
sits for her, they go through a big box of her family’s history, with photos
and all sorts of things, including a diary of her great-grandmother’s. Fuckin’
A’, Charlotte! I’m like, genuinely excited for her. Mary Anne is, too, but it
also makes her a little sad. She realizes she knows nothing about her own past
and family like this.
But does she take the obvious path, and talk to her father
about it? WELL, HELL NO! She is a
member of the BSC, after all. She does remember her dad taking some boxes up to
the attic when they moved in, and so decides to head up there and snoop around.
And she finds what she’s looking for quite easily. She finds pictures of her
parents wedding, which is cool. And then she finds an album of baby pictures of
her, which she’s never seen before. And later in the album, she sees pictures
of herself with the old people from the dream! Say what?!?! Time to move on to
the box of correspondence.
So, yeah, it’s a whole bunch of letters from her maternal
grandmother, Verna Baker, in Iowa, whom she has never heard of. And oh,
yeah…Mary Anne totes lived with them for a year after her mother died. Mary
Anne is so shocked by this news, that her father could just give her away, that
she can’t continue reading anymore.
She does get back to them however, and learns that her
father did at least want her back, even though the Bakers don’t want to return
her to Richard. There seems to have been a bit of a fight, but of course, Mary
Anne ended up back in the ‘Brook.
Mary Anne is so traumatized by all this news, that she is
totally out of it in the rest of her life. And of course, she just doesn’t tell
anybody. Because she’s ridiculous. Her friends all know something is up, but
don’t press her. They probably think Tigger lost a whisker or something, and
don’t want to deal with her waterworks.
She finally decides to tell Logan, and is waiting for him to
call her back. The phone rings, so she picks it up, but so does her dad. So
Mary Anne just totally listens in. I guess it’s a good thing, because the
caller just happens to be Verna Baker. She tells Richard that her husband died
the week before, and they were both upset at him not seeing Mary Anne before he
died. So now she wants Mary Anne to come to Iowa. Richard says no, and Verna
says she won’t take no for an answer. Damn.
Mary Anne, of course, bursts into tears. Dawn comes in, and
so Mary Anne finally tells her, and they talk about it all night. Mary Anne
wonders if her grandmother has any sort of legal claim to her. And she
eventually ends up telling Kristy and Claud, and then Logan and the rest of the
girls.
After having to take Charlotte to a parent-child picnic
(what exactly does Mr. Johansson do
that keeps him so busy?) and seeing all the kids with their moms, Mary Anne
fucking finally works up the courage to talk to her father. ABOUT DAMN TIME! And
what do you fucking know? It’s no big deal! Richard is surprised to hear her
asking about her grandparents, and to find out all she’s learned in her
snooping, but he’s not mad or upset or anything. Just tells her what she needs
to hear.
When his wife died, Richard was so devastated, he knew he
couldn’t take care of Mary Anne very well. So he did ask the Bakers to take her
for a while. But once he was better, he wanted Mary Anne back. There was a
custody battle, but it didn’t go badly. Everyone really knew it was right for
her to go back. But everyone also agreed it would be too painful for the Bakers
to see Mary Anne again; she’s so much like her mother. Which doesn’t make a bit
a sense. Why did they want to keep her in the first place, then? Anyway, Verna
isn’t trying to take Mary Anne back, she simply wants to see her.
A few days later, Richard gives Mary Anne a letter written
by her mother, to be given to her on her sixteenth birthday. But Richard thinks
it’s the right time now. It’s a very nice letter, and Mary Anne cries, of
course. But now I’m going to get all judgey here on a dead woman. You were well
aware you were dying, and all you left your baby daughter was a three-page
letter to be opened sixteen years later? Nothing to help her through the time
until then? Yes, I may be a terrible person, but it’s what I wonder. Whatever,
Mary Anne’s happy, and thinks she’d like to plan a trip to Iowa.
So, the kid plot is all about Heritage Day, and various kids
working on various projects, with various sitters helping them. Here’s one bit
that bothers me. The Pike triplets learn about
Old Hickman, and are utterly
fascinated, even dragging Stacey to see his gravestone. They act like they’ve
never heard this story before. What? I know Buddy was the main kid in #29, but
the triplets were the ones who busted the damn trunk open, and Mallory was the
one finding everything. Did her brothers really know NOTHING? And they even
bring up Sophie a few times later on, so it’s not like they’re acting as though
that storyline never happened. But it’s just said the painting was found in
Stacey’s attic. No mention of Mal. Of course not. Ann hates Mal, after all.
o
Can we just talk about how ridiculous this whole
thing is? Did Mary Anne seriously have NO curiosity about ANYTHING before now?
Was she really so worried about upsetting her father a bit to learn about her
family and history? Who doesn’t ask a few questions before they’re thirteen,
even without having lost a parent or something? It’s all just SO fucking weird
to me.
o
Mary Anne has never even been to her mother’s
grave! WTF?!
o
So, I consider this (weird) storyline pretty big
in Mary Anne’s whole storyline. And it comes up again. So I find it very
strange that they chose to put this in a Mystery book, which I doubt was as
widely read as the regular series. I have no numbers to support that, though.
o
Just…the coincidences for everything to line up
just right for this book simply kill me. To go from Mary Anne’s dream, right to
Heritage Day, right to her grandmother’s call. All together in a span of few
weeks? Whatever.
o
Jessi puts Mal’s hair into a bunch of tiny
braids, telling her it will look really cool after she sleeps with them in. Does
that work very well with curly hair? It makes my super straight hair frizzy, so
I don’t know about it working with Mal’s. We never hear how it turns out.
o
So, what did y’all think about
this? If they
fuck this up, I will lose my mind. You don’t mess with Meg Murry, bitches! I do
love Frozen, though; I just don’t have kids, so I haven’t heard it 10,000
times.
